It’s been crazy crunch time for Moth to Flame as we rush to the finish line with “Two Roads,” our new short for the Louisiana Film Prize. This year has been a bit more hectic in terms of post-production scheduling, because each team member has continued to take on bigger and better projects and we collectively have more projects to juggle on top of this one. In addition, we have two cuts of our film this year (instead of one, like last year’s A Bird’s Nest)… a 15-minute cut for the actual Louisiana Film Prize itself and also a much longer 20 minute version for other festivals.

On the first day of arriving in Shreveport to film A Bird’s Nest the crew went out into a wooded area where we would be filming a good portion of the film. We started by checking out the more accessible areas, then moved on to an area that we had to walk a good distance to the actual area we shot at. This sequence of photos was taken during that walk.

Director of Photography, Alex Walker talks about filming A Bird’s Nest They say film crews are the ultimate problem solvers. Shortly after Katrina hit NOLA back in 04 I was working on a production when the Key Grip remarked that filmmakers should have been sent instead of FEMA. After the experiences we had shooting A Bird’s Nest, I tend to agree. The script paints a picture of a troubled child who turns to the macabre for his outlet in life. The challenge was to create a sense of understanding between the audience and the anti-hero of the story without betraying…

Director of A Bird’s Nest talks about life On Set… I often tell people that filmmakers are crazy. Only filmmakers will spend hours in the rain and mud, brave poison ivy and spiders, and completely rearrange an entire house in order to get one perfect shot. I am one of those people. For me, the final product is just the icing on the cake. The best part about filmmaking is the process. The time leading up to the final finished product of “A Bird’s Nest” yielded some of my most vivid memories. I can still remember the moment my co-producer,…

A Bird’s Nest producer, Adam Duncan talks about life on set… When I think about “A Bird’s Nest” I feel like a proud parent.  Perhaps the proud weird uncle is a better term.  I’ve been fortunate enough to see “A Bird’s Nest” grow from the tiniest speck of an idea, and to see it through to a full blown adult sized award winning film. The process was memorable, rewarding and grueling. Christine Chen and I had long discussed our desire to make a festival quality film with gravity, with emotional depth and a strong emphasis on cinematic value.  After writing…

Crew Member – Nick Longoria talks about Composing I was very lucky to be chosen to score A Bird’s Nest. My music tends to be dark, so after reading the script, I was ecstatic to begin crafting the dark undertones for David’s very dark tale. The foundation of the score is built upon a purgatorial felt piano to mimic the wandering-soul of David. I kept it super simple. From there, violins and violas slither in and out as the celli and basses build to the climax of the story. Aside from the horror moments of the film, I see its…

Our team needs your support more than ever. We are in the top 20 films selected for the Louisiana Film Prize. This means that we are in the running for a $50,000 grand prize. 50% of the votes are determined by attendees to the event. We hope that by spreading the word and creating enough buzz, people will want to attend the event and vote for our film!

After about two months from concept to final product, Moth to Flame is proud to release the official trailer for “A Bird’s Nest.” We cannot believe that we made it into the top 20 selection for the Louisiana Film Prize. As we prepare for the festival, we invite you to follow our journey through our interview videos, promo videos, and other news, by visiting this page and our Social Media. We hope you enjoy this film. Our team worked really hard to bring it to life. Please like our official Louisiana Film Prize page and support by sharing the page and…