23 Jul

Posted at 09:41h in Commercials, Corporate, Events by
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I am consistently amazed by how drastically the painting experience can change by simply increasing or decreasing the size of the canvas. This goes the same way with editing. For a bigger screen, camera shakiness, for example, becomes much more prominent and any imperfection is magnified. I have not edited as much for a big screen, mainly for the computer/Internet, so I notice these differences significantly and how they affect my overall editing experience.   When Aaron Lyons commissioned me to edit a 30-second piece for the Venture Labs Investment Competition (VLIC), to be displayed on the Nasdaq Tower in…

24 Apr

Posted at 11:34h in Uncategorized by
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Independent filmmakers wear multiple hats. We often times are the writers, the producers, the directors, the shooters, the makeup artists, the editors, and the list goes on… For me, working on set is the most memorable part of the filmmaking process– people and chaos surround you and it is very much a huge social event, at least on the Moth to Flame sets it is… Off the set into post-production however, is another story. This is the part that often gets the least credit, the least recognition, but requires the most time commitment. I attribute this to a lack of…