Director of Photography, Alex Walker talks about filming A Bird’s Nest They say film crews are the ultimate problem solvers. Shortly after Katrina hit NOLA back in 04 I was working on a production when the Key Grip remarked that filmmakers should have been sent instead of FEMA. After the experiences we had shooting A Bird’s Nest, I tend to agree. The script paints a picture of a troubled child who turns to the macabre for his outlet in life. The challenge was to create a sense of understanding between the audience and the anti-hero of the story without betraying…

Ah the dual nature of stop motion animation… The first side: all the planning, and prepping: It can be anything from sand, to Legos, G.I. Joes, to drawings, to the classic “Claymation”. You spend hours plotting out the story, making the background, each individual frame (if required), and then you finally shoot it. Which, if anyone is wondering, takes several more hours. The second side: you’ve accomplished all this work!!! Then you play the footage……..it lasts 8 seconds. Literally. 8 seconds le sigh That’s it. You might be able to stretch it to 10-12 seconds, 15 if you’re really good….

Director of A Bird’s Nest talks about life On Set… I often tell people that filmmakers are crazy. Only filmmakers will spend hours in the rain and mud, brave poison ivy and spiders, and completely rearrange an entire house in order to get one perfect shot. I am one of those people. For me, the final product is just the icing on the cake. The best part about filmmaking is the process. The time leading up to the final finished product of “A Bird’s Nest” yielded some of my most vivid memories. I can still remember the moment my co-producer,…

A Bird’s Nest producer, Adam Duncan talks about life on set… When I think about “A Bird’s Nest” I feel like a proud parent.  Perhaps the proud weird uncle is a better term.  I’ve been fortunate enough to see “A Bird’s Nest” grow from the tiniest speck of an idea, and to see it through to a full blown adult sized award winning film. The process was memorable, rewarding and grueling. Christine Chen and I had long discussed our desire to make a festival quality film with gravity, with emotional depth and a strong emphasis on cinematic value.  After writing…